In his
wonderful book Musicophilia, neurologist Oliver Sacks describes Clive Wearing, a
musician and musicologist whose memory was erased almost entirely after a
severe brain infection. Post-trauma, Clive’s short-term memory lasted only a
matter of seconds. Sacks writes, “He remembers almost nothing unless he is
actually doing it, then it may come to him.”Yet
Clive’s musical self, his
performative self, remained almost completely intact. It just
needed to be activated. When playing music or conducting a choir, Clive could
re-attain his former virtuosity. As long as his fingers and his mind were in
motion, he could play beautifully. Clive’s wife writes, “The momentum of the
music carried Clive from bar to bar… He knew exactly where he was because in
every phrase there is context implied, by rhythm, key, melody… When the music
stopped, Clive fell through to the lost place. But for those moments he was
playing he seemed normal.”
We are
perhaps not so different from Clive when it comes to creative projects. The
minute that we lose momentum, we lose the thread. We become extremely
vulnerable to distraction and defeat. Our inner critic awakens, and we start
second-guessing ourselves, doubting the possibility of success. Other people’s
demands creep in, vying for our attention and focus. We start to generate
shiny, new ideas that seem even more worthy of execution, tempting us to move
onto the next big thing without ever finishing.